Shell Collection

Oceania Collection was an idea I had to display 9 enamelled copper shell brooches. The inspiration was from Museum visits, looking at the collections from Victorian explorers who travelled the world collecting natural flora and fauna. These displays included handwritten notes and were often presented in cases or trays.

My shell shapes were taken from my imagination and each one seemed to develop its own personality with each firing. The brooch fittings had to be soldered on before enamelling and each three dimensional shape I spend a ridiculously long time looking for an old wooden box to display the collection in. I then had to make the dividers for each section and line it.

I must admit I had fun writing the labels! Each shell has a name. The shells were collected from the unknown oceans surrounding the ancient seaport of Leicester.

The collection is on display in Leicester Museum and Art Gallery until January 31st as part of the Open Exhibition I was thrilled to receive the Leicester Galleries and Museums Development Trust Award.

It feels very fitting to have this piece in the Museum. Leicester Open Exhibition, in the same building as the fossils, dinosaur bones and archaeological finds.

Leicester Open Exhibition

Tree sketches on display

It can be daunting showing your work to other people! Recently I was thrilled to have two enamel tree sketches selected for the Open Exhibition @sockgallery in Loughborough.

It was even more exciting to see that my piece Charnwood Trees was highly commended.

Time for a self-conscious picture in the gallery!

Events for Summer 2024

Its always a great joy to take my work out and about and I am attending some fabulous events this summer. Sometimes I stay local, in Leicester and Leicestershire, but its great to go further afield into neighboring counties,

Coming up next is The Derbyshire Open Arts. It is a showcase for artists, with a wide range of Open Studio events and Exhibitions.

I will be at the Creative Gallery in Melbourne during the late May bank holiday weekend, exhibiting with six other artists. I have made some new enamelled jewellery and will also have some enamelled steel tree sketches with me.

Have a look at my What’s on page - or social media posts to see where I am. It is so nice to meet people.

New work for Derbyshire Open Arts

New work for Derbyshire Open Arts

Tree scapes

Trees are such amazing things, their shape and form are a constant inspiration at any time of year.

I have just finished some more sketches of trees using steel sheet, wet process enamels, and rust!

Looking Ahead

My diary is filling up with events for 2024. Although January is a quiet time I’m already busy creating new stock for galleries, applying for craft fairs and planning enamelling workshops.

I am determined to spend some time just experimenting and creating some of the ideas that float into my head. Having some fun with the possibilities of enamelling. So - in between the other distractions of running a business I need to set some time aside for that essential creative process!

Texture experiments

2023 some reflections

Lots of lovely events, art shows, craft shows and teaching! It’s been another busy enamelling year. . Highlights? The conversations I have had with other people. It is fantastic to share my enamel journey with others and share their experience of trying this ancient craft.

At shows I often meet people who have never tried enamelling, or did it just once - long ago, at school. Listening to comments about my work, how individuals respond to the colours or when someone makes a connection with a piece. Jewellery is such an individual thing and has its own life beyond me as its maker.

Meeting people who have bought jewellery from me before feels such a privilege. Many recognise my work from a gallery or previous event. It seems I have developed a recognisable style!

Fargo Makers Market.

Beginners Enamelling Group in Corby

Inspiration

I am often asked where my ideas come from, how do I create new pieces?

The quick answer? Looking and seeing…noticing what is around. Shapes of leaves, the texture of decaying buildings, the colours of fallen leaves in Autumn. Taking photos, sketching, tearing an image from a magazine- finding ways to record and remember those ideas for the future. Not judging those initial thoughts, just storing them for when I need inspiration.

Then, when I’m ready to start a new piece or range of jewellery, I can look back and use these images and thoughts to start my designs

I find it hard to stop when the ideas start to flow!

Using Steel

Its always good to try new things. There are so many possibilities with enamel. The other day I spent time with a friend using some of the techniques I’d recently learnt with Amanda Denison at the Guild of Enamellers Conference.

We used some large sheets of steel to enamel onto. The second layer of enamel was scratched and scraped before firing. This scraffito effect was worked into after firing, scratching back to the bare metal. The steel was encouraged to rust, giving some wonderful effects.

As usual I forgot to take photos but here’s a couple of the finished pieces. The scenes are based on some photos I took at my brothers farm in the Staffordshire Moorlands.

Hilltop Trees
Hillside Trees

Winter Landscape

I love working on a larger scale!

This pendant is enamel om copper. Like all my work it has been fired several times to build up the depth of colour. Transparent and Opaque enamels combine in each layer. Copper wires show details in the landscape and the section of unenamelled copper flows through the scene.

The piece is mounted in a brass setting - with a cord.

Teaching enamelling

I am often asked to teach beginners how to enamel. Its such a pleasure to share this fascinating craft and watch the surprise at the changes heat makes to the enamel and copper as pieces come out of the kiln. Even in a short space of time a lot can be achieved - with guidance and advice everyone can enamel.

There are so many possibilities and effects that can be created, I know I am still learning!

Beginners Enamelling Workshop

Beginners Enamelling Workshop

Beginners Enamelling Workshop

New work

I was invited to include some work in a selling exhibition at the Court Barn Museum in Chipping Camden. When I was also asked to include big, bold, experimental pieces I didn’t need asking twice!

When I worked as a jewellery designer for a large company I was often expected to predict what would sell or follow trends. The freedom to produce work I enjoy is much more rewarding, and the irony is…. people seem to like it.

If they don’t like it that’s ok too. Jewellery is such a personal, individual thing.

It was great to be able to showcase some new pieces, and I was even able to spend a couple of days in the museum - making my jewellery and talking to customers.

Looking back at 2022

Another busy year! The run up to Christmas was hectic. As in previous years I took part in several in person events, which I love to do. It is quite hard work, travelling and setting up my jewellery ready for people to look at. The best part is having conversations with customers and fellow stall holders. When you work alone you don’t get any feedback on your work and its great to hear and see peoples reactions. Its great to meet people who have seen my work online or in Galleries.

The worst part? Outside events in the bitter cold and rain. Trying to stop things blowing away!

I’m already looking ahead to events for 2023…watch this space and do follow me on Instagram or Facebook for the latest places I will be.

Enamelled Copper Bowls

Working on larger, 3D shapes in enamel gives new opportunities and challenges. I decided to enamel some copper bowls, just a couple, on one of the hottest days of the year. With the large kiln set at 840* C and the blinds down I got my notebook ready to record the process, colours, firing temperatures and timings. Its important to be organised!

A few hours later I had fired four bowls, multiple times, in different colour combinations to my original plans. Every surface of my workshop was covered in enamel powders, sifters and it looked like chaos! I usually pride myself in working in a controlled, methodical way. Not that day!

My notebook had one sentence written at the top of the page. My colours were mixed up and would have to be replaced - not wasted though as I can use them to “counter enamel” future pieces.

Creative flow? Inspiration? Who knows, but I had fun and was quite pleased with the results.

They were with me at Art in The Park in Leamington Spa last weekend. They attracted lots of attention. I sold three, which has encouraged me to make more.

I might choose a cooler day next time!

Blue bowls, forth firing. The old flat iron stops the bowl warping.

Finished green bowls.

New brooch designs

I decided to revisit the cell ideas I worked on last year. Planning how they will be made always comes first as any soldering, shaping and metalwork has to be done before the enamelling. The drawing are just a few of the different cell shapes I looked at. Next stage was to cut paper templates and cut the copper. Not sure if the photo shows it but the copper is also slightly domed after cutting and filing smooth.

Next stage? Add the brooch fittings and decide on the colours!

Enamelled silver rings

It seems that rings are being worn again! I’ve had a restock of lots of jewellery for my craft fairs and events. These little enamelled silver and copper rings are proving popular at the moment. They can be worn on there own or stacked with other rings.
Each one is different. They are great fun to make too!

New Colours

Some colours are very illusive. When using enamel it is never just a matter of mixing a new colour. Red and yellow grains of enamel do not make orange, after firing you see red and yellow speckles.

I had an idea of a way to layer two different yellows to give a deep, bright colour. Combining a translucent and an opaque yellow gave me a zingy yellow, which i will use a lot in the future.

The blue and green combinations also combined an opaque and translucent colour. The depth of colour is fabulous!

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Art House Virtual Exhibition

Visiting beautiful houses and seeing art, sculpture and craft work is what makes Art House such a special event. This year the Art House event is online. The website is designed so you can click on a door to see the artists in that house! A great idea to introduce practicing artists from Leicester and Leicestershire.

Click on the picture to go to the Art House site.  https://www.art-house.org.uk/

Click on the picture to go to the Art House site.
https://www.art-house.org.uk/

Guild of Enamellers Challenge

This piece was inspired by a recent walk around Yorkshire Sculpture Park. The two figures are based on the shapes and style of Barbara Hepworth - The Family of Man.
Members of the Guild of Enamellers were sent a pack of materials to create an enamelled piece, based on the theme The Great Outdoors.

This challenge was much harder than I imagined. It made me realise I’m not used to including different materials in my work. My first ideas involved flowers, trees and cows. After playing around with different compositions I still wasn’t inspired. 


As I was looking through my photographs I came across some my husband and I had taken during our first visit to the Yorkshire Sculpture Park, and in particular the Barbara Hepworth Statues, The Family of Man. These statues are arranged on the hillside and I found them thought provoking and beautiful. It was our first trip out of Leicestershire for several months and the change of scenery and art in the landscape was inspiring.


My enamelled piece is an attempt to represent the hills of Yorkshire in the background and the two figures in the foreground represent me and my husband and all the many walks and places we have visited over the last year.


I wanted to use each of the materials that Jill had sent us. I also tried not to waste any of the materials. The square of copper was cut into 2 to represent hills in the background and as the copper was quite thin and soft it was easy to bend it into an undulating shape. The copper tube became the bases for the two figures and the rest I flattened and cut into the shapes for the figures. I cut holes and domed a couple of the pieces to try and make it more three-dimensional. When it was time to enamel (all W G Ball) I used clear flux (477) then budgerigar green Transparent (430) on the hills, some areas with grass green opaque (686) and celadon green opaque (664). I used the sequin waste as a stencil for some of the background on the hills.


I enamelled the two copper tube bases with clear flux (477) then bronze green transparent (492).The shapes on top were enamelled with flux, then a layer of bronze green. One of the pieces has some transparent orange (468), which I scratched  into. A piece of the  silver foil is included on one of the shapes. I did not know what to do with the steel washers, they looked a bit too shiny, but I liked the size and shapes . I counter enamelled one side and was quite pleased with the effect. All of the pieces are counter enamelled and glued to the dowel with epoxy resin. 


The figures are supported by the wooden dowel, with the pipe-cleaner wrapped around both bases and glued into the copper pipe. I decided that I felt the wood was too light and dyed it with some drawing ink to match the colours of the sequin waste. I wrapped the silver plated wire around part of the dowel to give a different look. 


I really enjoyed making this piece! It pushed me out of my comfort zone by using different materials and also having a figurative aspect of my work which is something I rarely do. If I was to make it again I would make more of a contrast between the background pieces and the figures as I feel they get a bit lost in the landscape. 


I love the Barbara Hepworth style shapes on the figures, I think this would look great as a pair of earrings. I’m not sure what Barbara would have thought though!


Originally I had intended to make the background one piece by riveting it together. I’m glad I changed my mind as it’s nice to arrange the pieces in different ways. With a bit more planning I feel I could have used a more contrasting colour for the figures, everything is quite green. 



A little video

It’s tricky talking on camera…trying to say something to an unseen audience! This two minute video shows a few pieces of my work and gives a quick glimpse into how I make my jewellery

https://youtu.be/BS_i90UN6X8

Large enamelled brooch

Working on these larger pieces encourages me to experiment with textures and colour. My pieces still need to be wearable and so I had soldered on some fittings for the pin before I added the coloured enamel.

Several layers of different blues went into making this piece, as well as some glass ‘threads’ and beads. there is some planning along the way, but the kiln works its own magic!

Blue brooch front.jpg
Blue brooch 1.jpg
Blue brooch back.jpg